Encinitas, August 8, 2023 – Rich Hopkins, a seasoned stuntman who hails from Encinitas, has traversed a dynamic path in Hollywood, spanning over three decades. From scaling towering buildings as Spiderman to igniting himself for a bungee jump at the X Games, Hopkins has executed a diverse array of stunts in movies, television, and live events.
Approaching his 60th birthday, Hopkins has embraced a transition into acting roles while amassing a wealth of experience in the world of stunts.
“Every type of stunt, I’ve done it,” remarked Hopkins, a Torrey Pines High School alumnus. “Car hits, stair falls—those are for the young. My focus is now more often behind the camera.”
Hopkins’ most recent on-screen endeavor casts him as a trucker in the Nicolas Cage suspense film “Sympathy for the Devil.” Notably, the film experienced an unconventional premiere due to ongoing strikes involving the writers and actors.
Additionally, Hopkins served as the stunt coordinator for “Back on the Strip,” a forthcoming release starring J.B. Smoove, Kevin Hart, and Tiffany Haddish, set to debut on August 18.
Among Hopkins’ extensive list of film credits are “Smiley Face Killers,” “Bleach,” “Big Life,” and “Wildflower.”
Hopkins’ journey as a stuntman began over three decades ago after his relocation to Las Vegas. Originally in Los Angeles pursuing acting, he sought a change of scenery.
“My time as an extra was a learning experience,” shared Hopkins. “Most extras are confined to a holding room. I would sneak out, observe, and absorb every aspect of the industry. I wanted to understand it inside and out.”
This advice is a cornerstone of guidance he imparts to emerging stunt professionals: “Familiarize yourself with every role. Stunts may be your expertise, but comprehending the responsibilities of the best boy, script supervisor, and key grip is vital. Master the industry from the ground up.”
Upon settling in Las Vegas in the early 1990s, Hopkins discovered a unique niche in stunt work and coordination.
“Stunt work was untapped in Vegas back then,” noted Hopkins. “When a production arrived in the city, the entire crew migrated from L.A.”
Among his daring feats, scaling a building via a descender cable as Spiderman remains one of his most memorable. This daring act, executed about two decades ago to promote a DVD release, left an impression on Hopkins. He recalls that a pre-stunt prayer was offered to prevent any untoward accidents in front of a crowd of children witnessing the spectacle.
Despite a history of injuries that include a broken neck, a broken back, fractures to toes and fingers, concussions, and temporary paralysis due to spinal stenosis, Hopkins maintains his motivation.
“I don’t have an alternative,” quipped Hopkins, reflecting on his enduring commitment. He remains undeterred, acknowledging that acting and coordinating stunts exert less strain on his body. As long as he can walk, he is prepared to engage in even fiery feats.
“People often wonder when stunt professionals retire,” commented Hopkins. “My response: when they’re confined to a box.”
