In the realm of East Asian cinema, two distinct yet captivating films are capturing audiences’ attention: “We Are Family” and “Humanist Vampire Seeking Consenting Suicidal Person.”
“We Are Family,” a Hong Kong dramedy produced and starring Eric Tsang, follows the journey of an aging movie extra who joins a family rental company providing surrogate relatives. This concept, seen in various forms across East Asia from South Korea’s sham wedding guests to China’s demand for fake boyfriends during Chinese New Year, is explored with wit and depth by writer-director Benny Lau. The film’s ensemble cast, including Carlos Chan, Catherine Chau, and Tsang, delivers a versatile performance, portraying the complexities of familial bonds and the universal quest for connection amidst a backdrop of comedic episodes and heartfelt moments.
On the other hand, “Humanist Vampire Seeking Consenting Suicidal Person” presents a unique twist on the vampire genre. Directed by Quebec filmmaker Ariane Louis-Seize, this French-Canadian horror comedy delves into the story of Sasha, a teenage vampire who struggles with her sensitivity to killing. When she meets Paul, a suicidal high school outcast, their unconventional bond leads to an emotional and transformative journey filled with quirky moments and poignant revelations.
Both films showcase the diversity and creativity of East Asian cinema, offering audiences a range of experiences from heartwarming family dynamics to thought-provoking explorations of identity and empathy. “We Are Family” and “Humanist Vampire Seeking Consenting Suicidal Person” stand out as compelling additions to the cinematic landscape, earning praise for their storytelling prowess and engaging performances.
In summary, these films exemplify the richness and depth of East Asian storytelling, captivating viewers with their unique narratives and memorable characters.
