In a recent episode of the Befores & Afters podcast, visual effects supervisor Lindy De Quattro discusses the intricate process behind the mech sequences in Brad Peyton’s ‘Atlas’, now available on Netflix. The focus was on the innovative approach to bringing Jennifer Lopez’s character to life within the mech cockpit.
De Quattro elaborates on the meticulous planning during pre-production, highlighting the decision to utilize motion base technology supervised by JD Schwalm. These sequences were filmed on tight greenscreen setups, necessitating creative solutions like shooting off-set and managing logistical challenges that spanned over 20 days on stage.
The discussion delves into the collaborative efforts among vendors, emphasizing the strategic use of 2D artwork to expedite asset approvals. VFX contributions from Scanline, MPC, ILM, Territory Studio, Cantina Creative, and Halon are dissected, underscoring their roles in enhancing the film’s narrative through visual storytelling.
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